Produced by Portishead co-founder the musician-producer, this sharp-edged if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single key story turn, but it results in a comically executed chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film releases in UK and Irish cinemas from November 17.
